![]() Kod Tangan Bahasa Malaysia (KTBM) is a communicative method recognised by the government and the Ministry of Education for use in aiding teachers to teach Bahasa Malaysia to deaf students in formal educational settings. His grant trains the spotlight on the lingua franca used by the deaf community in Malaysia. The final work will be recorded for an online performance. The idea is to shape a new culture for the community as well as contribute to building a body of BIM literature. Supported by Astro and the Creador Foundation, the fund - of which Chong is one of 11 beneficiaries this year - is inspired by the late theatre director’s pioneering work in celebrating original Malaysian creativity in as varied and alternative ways as possible.Ĭhong will be using the funds he has received to run a Malaysian Sign Language, or Bahasa Isyarat Malaysia workshop for deaf participants to develop BIM literature in as many forms as possible, such as storytelling, poetry, translated poem, visual vernacular, drama or folktales. In fact, Chong’s own activism work would not have been further highlighted if not for the Krishen Jit Fund, which is aimed at providing deserving arts practitioners with monetary aid to pursue projects in the arts. Chong is exceptionally gracious about it all, but the effect of that initial exchange is permanently seared in our collective consciousness: While we may acknowledge that the world can be a difficult place for the differently-abled, we really have no idea what some of their day-to-day challenges are. It was while setting up the interview with deaf activist Dr Anthony Alexander Chong that it occurred how much we take for granted, and how mortifyingly unaware we are about the daily minutiae that can be difficult for people who are hearing-impaired. ![]()
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